During Hispanic Heritage Month, we celebrate figures whose work continues to shape arts, identity, and representation. Few actors embody that legacy more powerfully than Raúl Juliá, a performer whose presence, talent, and conviction transcended borders and stereotypes.
Early Life & Roots in Puerto Rico
Raúl Rafael Juliá y Arcelay was born on March 9, 1940, in the Floral Park / San Juan area of Puerto Rico. His mother, Olga Arcelay, was a mezzo-soprano who once pursued music; his father, Raúl Juliá Sr., was an engineer and also ran a family restaurant (“La Cueva del Chicken Inn”) in San Juan.
From a young age, Juliá showed interest in performance. He participated in school plays, drew inspiration from theater and film, and by his teen years was already performing locally in Puerto Rico.
His education included attending Colegio Espíritu Santo in Hato Rey and later Colegio San Ignacio de Loyola in Río Piedras. He briefly studied at Fordham University in New York before returning to Puerto Rico and completing a Bachelor of Arts in Drama at the University of Puerto Rico.
While in Puerto Rico, he joined local theater groups and the Puerto Rican Traveling Theater, performing in smaller venues and building his craft.
Crossing Over: From Stage to Screen & Broadway
Entry to New York & Theatrical Breakthroughs
In 1964, at age 24, Juliá moved to New York City, encouraged by actor Orson Bean, who recognized his potential. Upon arrival, he studied acting (including with Wynn Handman) and sought theater roles, often working odd jobs to support himself.
His early New York theater work included Off-Broadway and Shakespeare Festival productions. Joseph Papp and the New York Shakespeare Festival brought him roles that allowed him to showcase both classical range and his unique cultural voice.
Over time, he earned multiple Tony Award nominations for Broadway roles in productions like Two Gentlemen of Verona, Where’s Charley?, The Threepenny Opera and Nine.
On Screen: Roles That Defined His Range
Raúl Juliá’s film and television career showed his versatility from drama to fantasy, from political commentary to commercial hits:

- “Gomez Addams” in The Addams Family films: one of his most beloved roles, capturing his charisma and theatrical flair.
- “Kiss of the Spider Woman” (1985): a deeply challenging, dramatic role that earned him critical praise and Golden Globe nominations.
- Romero (1989): Portraying Archbishop Óscar Romero, the Salvadoran icon. Juliá immersed himself in research, reading Romero’s diaries and records to bring authenticity.
- Moon Over Parador, Presumed Innocent, Street Fighter, The Burning Season: he continued pushing into diverse genres, often taking roles with social or political weight.
Despite battling health challenges in later years, he kept working. For The Burning Season, his performance was posthumously awarded a Golden Globe and Emmy.

Voice, Advocacy & Cultural Identity
Raúl Juliá stood out not just for his talent but for how he carried his identity with dignity:
- He insisted on bringing Puerto Rican and Latino identity into his interpretation of roles — adapting Shakespeare and classics in his own voice and cultural rhythm. In The New Yorker, one anecdote recalls how he pushed back on doing Shakespeare as a “British imitation,” insisting instead on imbuing it with his own background.
- He was deeply committed to humanitarian causes. He once said, “There are 38,000 people dying of hunger each day, and most are children. And, being a celebrity, I communicate about it as much as I can.”
- He also reflected on the transcendence of theater: “I knew there was something special about the theater for me, something beyond the regular reality … something I could get into and transcend and become something other than myself.”
- Juliá supported Latinx artists and organizations. He worked with HOLA (Hispanic Organization of Latin Actors), and co-founded initiatives like Visiones Luminosas to promote Latino screenwriters.
Legacy: Doors Opened & Honors Bestowed
Raúl Juliá’s impact resonates long after his death (October 24, 1994, in New York). Here’s how his legacy lives on:
- The Raúl Juliá Award for Excellence (by the National Hispanic Foundation for the Arts) honors those advancing Latino presence in entertainment.
- The Puerto Rican Traveling Theater’s training arm was renamed the Raúl Juliá Training Unit to support future Latino actors.
- Thousands lined the streets in Puerto Rico during his funeral; the procession included plena music and patriotic tributes.
- He is frequently cited by contemporary Latino artists as a trailblazer. In The New Yorker profile around a retrospective documentary, stars like John Leguizamo, Edward James Olmos, and Rubén Blades speak of how Juliá cleared paths for Latino actors refusing to change their names or identity.
Raúl Juliá’s journey reminds us that artistry, identity, and conviction can coexist. He didn’t mute his heritage or mask it to fit Hollywood norms. Instead, he carried Puerto Rican and Latino identity into his work, emphasized dignity and social awareness, and opened doors for the generation that followed.
During Hispanic Heritage Month, honoring Juliá means acknowledging not just his roles, but the bridges he built for Latinos on stage and screen, and for culture that insists on being voiced, fully and authentically.




















